web analytics

Fonts in Use

These are examples of my fonts that have left the nest and found their wings in the real world.

If you have used my fonts in your own projects, please do let me know, I’d love to hear from you.
 
MAKE CONTACT

FONT IN USE: Didonesque Ghost

CLIENT: Yasumasa Morimura: Japan Society

DESIGN CREDIT: Kudos

My first discovery of Didonesque Ghost in the wild. This exhibit catalogue was created by Kudos NYC for Yasumasa Morimura: Japan Society in 2018.

FONT IN USE: Torus

CLIENT: Poki

DESIGN CREDIT: Possibly In-house

If you want to play online games, then head to Poki. They have chosen Torus for their “Let the world play” tagline, and use the fonts throughout the website, and very nice it looks too. I just wish they had utilised some of Torus’ alternates rather than sticking with the base glyphs…

FONT IN USE: Didonesque Roman

CLIENT: great

DESIGN CREDIT: great

This French design agency won a Webby Award for their own website, which utilises Didonesque Roman throughout – the free desktop/webfont option available through Font Squirrel

FONT IN USE: Torus

CLIENT: Unique Secure

DESIGN CREDIT: Not known

Unique Secure are using Torus for their own identity as well as for product branding and headline typography to establish a corporate style. I think it’s a shame they chose not to experiment with some of Torus’ alternates for the branding to make it even more distinctive.

FONT IN USE: Didonesque

CLIENT: Abrams Books

DESIGN CREDIT: Abrams Books

Joan Rivers Confidential authored by Melissa Rivers with Scott Currie, was released in October 2017 – the book features my Didonesque family throughout.

FONT IN USE: Majesty

CLIENT: Garden Grown Gin

DESIGN CREDIT: UNKL

Australian design duo, UNKL, have embraced my Majesty fonts for the rebranding of Garden Grown Gin, and rather smart it is too.

FONT IN USE: Torus

CLIENT: Owl Cam

DESIGN CREDIT: Possibly In-house

It’s great when a customer purchases desktop, web and app licences for your fonts, Owl Cam did exactly that in 2017 and in 2018 their brand launched fully resplendent with Torus in use for all titling. Bravo.

FONT IN USE: Woodford Bourne PRO

CLIENT: AIIB (Asian Infrastructure Investment Bank)

DESIGN CREDIT: M&C Saatchi

AIIB have recently adopted Woodford Bourne PRO for use in their logotype and as their corporate typeface. The new style is being rolled out across all their publications, starting with 2017’s Annual Report.

FONT IN USE: Didonesque Poster

CLIENT: Max Frost

DESIGN CREDIT: Atlantic Records

A no frills cover for Max Frost’s “Good Morning” single, released by Atlantic Records in February 2018.

FONT IN USE: Torus

CLIENT: Insta

DESIGN CREDIT: Not known

Insta, a lighting specialist based in Lüdenscheid, Germany, have adopted Torus as their corporate typeface. Currently (2018) their brochures, website and apps use Torus everywhere, even in tables and at very small sizes. This is quite surprising as I never intended Torus to be used for body copy or mechanical data, but it works well.

FONT IN USE: Meccanica

CLIENT: Kirch Engineering

DESIGN CREDIT: Teufels

Meccanica, plus engineering company, equals a marriage made in heaven? Maybe so, it seems to work well for Kirch Engineering.

FONT IN USE: Didonesque

CLIENT: American Eagle Outfitters

DESIGN CREDIT: American Eagle Outfitters

Didonesque Bold & Bold Italic are in use here for the #aerieREAL campaign at American Eagle Outfitters.

FONT IN USE: Torus

CLIENT: Hansapost

DESIGN CREDIT: Division

Estonian agency Division rebranded the country’s largest online retailer, Hansapost, by using Torus Bold during 2017. What great value for a $20 investment :)

FONT IN USE: Carrig

CLIENT: ASDA

DESIGN CREDIT: Benjamin Green

Ben got in touch to show me the fine work he’d done for ASDA wines using Carrig.

FONT IN USE: Didonesque

CLIENT: Hōgl

DESIGN CREDIT: Designer not known

I stumbled across Didonesque Display being used prominently on Hōgl’s website, they are a fashion brand based in Austria.

FONT IN USE: Torus

CLIENT: Shooma

DESIGN CREDIT: Tim Print

Tim and I were at school together and we also studied Technical Illustration (1985-87). I am very humbled that he has chosen to use Torus for his new website, and he’s made a lovely job of it too.

FONT IN USE: Didonesque

CLIENT: Cokoa

DESIGN CREDIT: Giada Tamborrino

It’s great when you discover your own work being put to such good use on Instagram. This is a concept by Giada, but I reckon it would make for a stunning chocolate brand. Well done, Giada!

FONT IN USE: Woodford Bourne PRO

CLIENT: Channel 4

DESIGN CREDIT: Matthew Clark

Caught sight of a poster/magazine cover in the 2017 Channel 4 sitcom “Loaded” and discovered it was Woodford Bourne PRO Ultra weight predominantly in use.

FONT IN USE: Woodford Bourne

CLIENT: Whole Earth

DESIGN CREDIT: Pavement

This US-based sweetener company were recently re-branded by the Pavement design agency who used Woodford Bourne for the new logo identity.

FONT IN USE: Fnord

CLIENT: Orquestra de València

DESIGN CREDIT: Nociones Unidas

I was delighted when Boke from Nociones Unidas contacted me to show me the beautiful work done for Orquestra de València – it is the first example I have found for Fnord. Thank you, Boke.

FONT IN USE: Eponymous

CLIENT: Fonts.com

DESIGN CREDIT: Dallas Barnes

I sprayed coffee everywhere this morning when seeing Eponymous implemented for one of the prestigious hero slots on the Fonts.com homepage… it was quite a shock, to say the least. Thank you to those commissioning the artwork at Fonts.com and, of course, to Dallas Barnes for creating the lovely graphic.

FONT IN USE: Pseudonym

CLIENT: Penguin Books

DESIGN CREDIT: Head Design

Pseudonym Regular was chosen as the title typeface for the 2016 editions of Dan Brown’s Robert Langdon series of books.

FONT IN USE: Woodford Bourne

CLIENT: CLAUS

DESIGN CREDIT: Schleuse 01

The logotype for “CLAUS” is set in Woodford Bourne Bold. The full family can also be seen in use for their sub-brand identities and promotional material.

FONT IN USE: Woodford Bourne

CLIENT: My Social Practice

DESIGN CREDIT: Not known - possibly in-house

My Social Practice create campaigns to promote better health around the U.S. Here’s a set making good use of Woodford Bourne’s contrasting weights.

FONT IN USE: Woodford Bourne

CLIENT: Druid Theatre, Galway, Ireland

DESIGN CREDIT: Bite! Associates

The Druid Theatre company in Galway announced their programme for 2016 with this eye-catching interpretation of old tram rolls for listing their schedule.

FONT IN USE: Carrig

CLIENT: Raventide Books

DESIGN CREDIT: Write Dream Repeat

Raventide Books embraced Carrig in 2016 for use in their series of novels and short stories, so much so that literally every word in Six Celestial Swords is set in Carrig.

Top