Technica is a reworking of my Meccanica typeface from 2017. The angular elements have been reappraised, partly removed and sharpened (with regard to the terminals). An overall rounding and smoothing of each glyph makes for a more conservative and aesthetically pleasing font family.

Released: October 2019

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Rhetoric is a friendly and persuasive typeface that has been designed for branding, titling, headlines, and short runs of text. Its distinctive personality is enhanced by curvaceous caps and its lowercase roman glyphs are essentially an “upright italic” style.

Released: September 2019

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Quorthon is a collection of blackletter style fonts that I have been working on and off for a number of years. There are three distinct styles in the family – Black, Dark, and Grey – they all feature a basic character set along with a few alternates that will help to embellish your typography.

Released: August 2019

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Yolk is an Eggcentric Sans Serif Typeface consisting of nine weights in both roman and italic. Essentially, this is a geometric sans typeface that has been inspired by the shape and proportions of an egg. With its bottom-heavy glyphs, Yolk has an unusual personality – it’s not too odd to be off-putting, and it’s not too normal to become lost amongst the myriad of generic geometric sans fonts.

Released: July 2019

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Transcend aims to be “The Ultimate Titling Typeface”. This typeface imbues classical elegance – it’s also packed with features that I know you will love to use! Essentially, it is a reworking of my popular typeface, Carrig Refined. This 2019 version has been fine-tuned and embellished with subtle nuances to define its personality.

Released: June 2019

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Ergonomique has been designed to be efficient and comfortable across all applications. Its defining feature being the spurless lowercase glyphs which give this humanist sans typeface a unique style. Perfect for branding and display purposes, this font family can also handle lengthy text passages too.

Released: May 2019

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While being inspired by the first printed texts of the Renaissance period, this typeface has contemporary features such as a high x-height, open bowls and counters, with razor-sharp serifs and terminals. Eloquence has a modern aesthetic with a strong classical influence – this is “Renaissance Remixed”.

Released: March 2019

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When “Less is More” – as you can see, this stencilled version takes away some of Didonesque’s structure, while adding another level of distinguished style and supreme elegance. Didonesque Stencil is a 20-font family that will give your designs a distinctive air.

Released: January 2019

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Eurocine was inspired by movie credits of the 1970s – with Italian Giallo films being the core influence. This 30-font typeface has Narrow, Regular, and Wide styles in Roman and Oblique. Its versatility is extended by utilising many OpenType features.

Released: November 2018

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Polyphonic is a highly versatile bracketed slab serif typeface comprising 60 fonts across 6 weights and 5 widths. It is a no-nonsense, clear and legible type family whose multiple voices can suit numerous typographic applications.

Released: October 2018

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Majesty was designed with the intention of adding a touch of refined class to any implementation of it. An incised typeface, having a friendly resonance without being too austere, Majesty sits somewhere between the Trajan and Albertus type families, being inspired by the tradition of engraved type over the centuries.

Released: July 2018

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This extensive 60-font type family was inspired by the best (and worst) of 1970s science fiction TV shows and movies. Verbatim aims to extract the essence of futuristic type from that era, add a dash of modern style and conjure a cinematic typeface for the 21st century.

Released: April 2018

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Ghost is a new addition to the Didonesque family. As you can tell, this ghost version has a more extreme contrast to each glyph’s structure. This makes for a highly fashionable style that is sure to capture attention whenever it is used. This family of 10 fonts will enhance any project that requires a touch of class. These fonts turn the contrast right up to 11 – giving each weight a ghost-like appearance by means of their hairline stems and serifs.

Released: September 2017

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Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has a branding focus, it would be suitable for pretty much any text application in any Latin language.

Released: August 2017

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Carrig Pro is a refined and elegant serif. Classed as an Antiqua, this typeface is borne from a hybrid of influences that range from early Roman inscriptions to type of the Pre-Modern era, giving Carrig Pro a distinctive character all of its own.

Released: June 2017

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Torus is a simple, rounded monoline typeface that has been designed specifically for logo design, headlines and branding purposes. While the default character set is distinctive in its own right, graphic designers will love playing with the numerous alternate glyphs that will help them create unique wordmarks and logo designs.

Released: April 2017

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Instantly give your designs a “touch of class” with Didonesque – inspired by classic Didone typefaces that are synonymous with luxury brands, it is a highly versatile and elegantly stylish font family. It is inherently a display typeface and therefore ideal for headlines, logotype, branding and short runs of text.

Released: January 2017

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